Ingmar Bergman may have meant the tank rumbling down the empty night street in The Silence as a phallic symbol. But if he did, it was a foolish thought. (“Never trust the teller, trust the tale,” said Lawrence.) Taken as a brute object, as an immediate sensory equivalent for the mysterious abrupt armored happenings going on inside the hotel, that sequence with the tank is the most striking moment in the film. Those who reach for a Freudian interpretation of the tank are only expressing their lack of response to what is there on the screen.
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血腥暴力版《小鬼当家》 | SHIT,bad guy 敢射杀狗狗,必受惩罚!| 拿儿童手工剪刀剪眼珠子那段太有趣了(出人意料),哈哈。| 感觉是加拿大拍摄,因为女孩手中的带鹿头的硬币是加元啊(25cent)。| 有一段也很有趣——我要找到武器,我先拿到了铁锹,不行太大了。我有拿到铁棍(貌似),不行太长了。我又拿到了榔头,嗯...我没那么大力气.....我又看到了油壶和打火喷枪,嗯!就它了!