节奏很奇怪，人物也不够丰满，故弄玄虚的配乐太频繁了

除了共党基地毫无看点。

《穆里耶》其实是阿伦雷乃比较好懂的一部电影，故事的人物关系很清楚，电影前后部分结构也是完整的，中间的一段用了很多的极端的跳跃剪辑，打碎了时间和空间的结构来表现事物发展和情绪流动，这种意识流风格是导演的一种美学尝试，看的很过瘾。

Sad in many ways. Beautiful in many others. Wonderfully captures that all too hard to describe limbo of growing up. The aesthetics and score of this are fantastic and I couldn't help feeling nostalgic for a time I usually try to forget. It's difficult to capture a mood or a life stage well, particularly at this age and Sciamma does it wonderfully.

背景交代的确有点儿问题，文化区隔的原因。