错一步,步步错,复仇怪圈循环论,人性的又一次华丽丽释放

凯奇的辉煌风光已然不再，，不能理解是早年选片不会出错、演起来也从容不迫，现在是怎么了？从拼命赚奶粉钱到了中年危机现在又开始向更年期发癫转型了么？实在是没有可圈可点的地方啊凯奇！

不为金钱、不为理想，也不要用框框困住我，我只想像fish一般向往自由！如果可以，我愿用生命去交换。

Weill portrays a single, green girl's helpless loneliness in a big city (it's always NYC) with such authenticity and delicacy; Susan's not selfish but only scared, of being WITH someone and making up her own calls. And that's not only the struggle of being single but also being a single woman during the 1970s after the 2nd-wave feminism movement. Yet it remains pertinent now more than ever: How hard is it to be in the counterculture when mainstream prevails? How would marriage do to friendships? What's it like to maintain the female perspective? Frances Ha's answer pales like a superficial YA novel in front of this one.

李倓跟林致这一对命真苦